Animator Webster Colcord gave a 40 minute talk at the Santa Clara City LIbrary Comic Con this month. In the talk he discusses his history in the animation industry, from his stop motion beginnings, work in CGI and back to stop motion. You can see Websters Instagram account with photos and clips of his animations by clicking here.
If you’re like me, you collect too much stuff you don’t really need. But one thing I don’t have too much of is Aardman items. That’s because there really hasn’t been much offered, especially in North America. But there’s good news. With Brand Licensing Europe just around the corner, Aardman has announced some fantastic new licensing deals for Shaun the Sheep and Wallace & Gromit aficionados.
Aardman has agreed a new partnership with Aurora to produce plush items for Shaun the Sheep brand and the much anticipated feature film sequel ‘Shaun the Sheep Movie: Farmageddon’. The deal spans multiple territories including UK, France and North America with lines being showcased at the upcoming trade fairs in Hong Kong, UK and Germany in January 2019.
I know I need more Shaun the Sheep in my life. For details, click here.
Will Vinton, a legend in the development of commercial stop motion animation in the United States, died yesterday at the age of 70. The cause of death was multiple myeloma, a cancer of plasma cells, which he had battled for over a decade.
Vinton started making clay animation films in the 1970s, and won the Academy Award for his 1974 film Closed Mondays, that he co-directed with Bob Gardiner. He established Will Vinton Productions Portland, Oregon in the late 1970s. The studio employed and trained hundreds of stop motion artists throughout the 1980s and ’90s. In 2002, the studio reformed as Laika under the direction of Travis Knight, the four-time Oscar-nominated studio responsible for films like Coraline, The Boxtrolls and Kubo and the Two Strings.
Laika Studios art director Alice Bird shares new details about Laika's 5th film, the upcoming movie "Missing Link," scheduled release date April 2019. Click here to read the online article over at KPTV.
During our live show this past Wednesday, a little controversy was stirred up. What was it all about? It was because Marc brought up the topic of virtual reality and stop motion. VR is an exciting new field that allows for immersive experiences and a new camera will change stop motion in the future. Perhaps Henry Selick will read this and have an "AHA" moment. Henry has always been forward thinking and this technology is something he and other animators may start to embrace.
The technology is Googles 6DoF Light Field VR camera. If you want to read about the new camera and how it works, this article explains quite a lot. If you want to see for yourself the results and you have an Oculus Rift or Vive, Steam has a free download to test it out over here.
In a nut shell, the still images allow for a user to see real physical objects in space before them. The viewer can also move side to side and up and down and see slightly around the objects, just as in real life without a VR headset. How is this technology different than say the consumer 180/360 degree QooCam? Those cameras allow only for slight head movements in 180 degree mode before the image is distorted. No side to side motion is allowed by the user as well.
Where will this new tech take us? Only time will tell, but we should definitely not be afraid to use these as a new advantage and pioneering way of telling stories through our art form.
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